Who is frank maresca




















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Aleksandra Kuzenkina TV Actress. To me art is art, the rest is labels. A conflicted term at present, but can you tell us about your opinion of the term outsider art, how you feel about it and if there are any other words that you think we should be using instead? My feeling is that if we have to use labels, I want them to be accurate. My definition of Outsider Art is closely aligned with Dubuffet's definition of art brut , that is, art that is produced by people operating so far outside of society as we know it that they often need the help of caregivers — although there are of course some exceptions to the rule, Henry Darger being a notable example.

Secondly, I make an important distinction between Outsider and Self-Taught. The latter is simply art that is produced on the margin of the art historical continuum The definition of Self-Taught and Folk often overlaps, with Folk predominantly coming out of learned traditions or apprenticeships, e.

What style of work, if any, is of particular interest to you within this field? I was quoted once a long time ago as saying: "I don't like anything that is cute. Would you say you had a favourite artist or piece of work within your collection? And why? That's impossible to answer. It's really a variation on who's your favorite artist, what's your favorite song While we all like what we like, within that, things seem to change with the situation or the mood.

Art for me is a transportation device, sometimes it takes me in and sometimes it brings me out of my present moment in time; that's the wonder and power of art. Where would you say you buy most of your work from: a studio, art fairs, exhibitions, auctions, or direct from artists? All of the above. Sometimes I look for art specifically, other times I like to think that it looks for me.

Is there an exhibition in this field of art that you have felt has been particularly important? Coincidentally, or perhaps not, the Brooklyn Museum was also the second venue for a show that opened at the Corcoran Gallery in Washington D.

C: Black Folk Art in America: , which became a game changer. Are there any people within this field that you feel have been particularly important to pave the way for where the field is at now? From a very early time a personal hero of mine has been Sidney Janis. He was one of the earliest gallerists showing and making no distinction between self-taught artists such as Morris Hirshfield , and academic artists such as Jackson Pollock.



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